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The Fiction Writing Contest Lottery


On what fiction writing contest should you squander $20? I calculated the return-on-investment (ROI) of several different contests. I have summarized the results in the table below. The return number quantifies the investment in a fiction contest, based on the entry fee, effort to write a story according to contest guidelines, and probability of winning the contest.

Contest Return
ReadMe Publishing What If? Science Fiction Competition (40)
Glimmer Train Very Short Fiction Award (49)
Alligator Juniper’s National Writing Contest (50)
Barry Hannah Fiction Prize (50)
Fish Flash Fiction (59)
Newport Review Flash Fiction Contest (126)
Springfield Writers’ Guild Literary Awards (161)
Inland Empire California Writers Club Writing Contest (409)
Bards and Sages Speculative Fiction Contest (484)
Silver Quill Society Short Story Contest (485)
Cadenza Open Short Story Competition (UK) (487)
Sherwood Anderson Fiction Award (489)
Juked Fiction and Poetry Prizes (490)
Sullivan Prize in Short Fiction (494)
Mississippi Review Prize (494)
Mary Wollstonecraft Shelley Award for Imaginative Fiction (508)
Boston Review Annual Short Story Contest (659)
Zoetrope All-Story Short Fiction Contest (810)
Fish Short Story (819)
Earlyworks Press Open Short Story Competition (UK) (967)
Chautauqua Literary Journal (1134)
Greensboro Review Robert Watson Literary Prizes (1200)
American Literary Review (1294)
 

How should you read this table? Just as you may gain or lose money after investing in a 401K or stock, you can gain or lose your time and money by entering a fiction contest. Basically, you want to avoid contests with a return in red, which represents the effort, expressed in a dollar value, that you lost by writing a story for the contest and paying a fee to enter the contest.

Unpublished Guy Blogs

Finding a Short Fiction Contest for an Aberrant Piece of Fiction

Posted by: Unpublished Guy on 8/17/2009

Does Entering Fiction Contests Feel Like Playing the Lottery?
Does Entering Fiction Contests Feel Like Playing the Lottery?
photo by Jeffrey Beal

Last week I announced that I would rework the incomplete novel that resulted from July Novel Writing month to enter a short story contest. I could take one of two approaches to begin this task. I could be true to the vision of the artist and complete the story first and then shop around for a suitable contest. Alternatively, I could take the shallow route by selecting a fiction contest first and then rewrite the fiction to improve the chances of winning that particular contest. I'll be taking the shallow route.

How do I know what fiction contests are out there that I can select from?

The Novel and Short Story Writer's Guide can be a resource and I have a copy, but it is way too old, 2006. I could Google away and bookmark like crazy, but that is an awful lot of work. It just so happens that I also have Writing to Win: The Colossal Guide to Writing Contests by Moira Allen with a chapter on short fiction contests. Rather than apply my calculation to all the contests in the book, I am going to apply a few filters and only focus on those short fiction contests that will not require a great deal of rewriting to make the story fit the contest. I also opted to focus on contests with a due date between the end of August and beginning of October.

Some highlights of the decision-making process.

  • Since my source material is a science fiction story, the Once Written Halloween Midnight Hour Halloween Contest is Out and the ReadMe What If? Science Fiction Contest is In.
  • Since my source material was stylistically and thematically postmodern and could generously be considered literary, contests sponsored by literary publications are In and genre fiction (with the exception of science fiction) is Out.
  • Best short story relating in some way to the Mississippi River. Out.
  • In a very bizarre way, the historical fiction contest, "Fish Short Histories Historical Fiction Award" could be a fit, since my source material relies rather heavily on the Gilgamesh myth and the personification of cities.
  • Happy Tales Literary Contest is out of the question, due to my allergy.
  • Children's literature—not bloody likely (not because of adult themes, but rather content that would be grotesquely uninteresting to the target audience).

Now, out of the gazillions of short fiction contests that exist, I have narrowed the candidates down to twenty-four.

Next week, I will apply ROI (that's return-on-investment in the parlance of business) calculations to decide which one of the shortlisted contests provide the greatest pay-off.

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