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The Book of Urizen (Your Reason) by William Blake, published as an illuminated manuscript
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by lhymwlyv on To Publish a Sumerian Novel and other 2010 Resolutions

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by xoabmits on To Publish a Sumerian Novel and other 2010 Resolutions

"@Mohamed, let me know what you think. The editing is great. However, the acting not so much, with the exception possibly of Eugene Roche." Read more
by Unpublished Guy on When Movies are Better than Books

"Being that "Slaughterhouse 5" is one of my favorite novels of all time, I can't imagine a movie being better than the book. That said, I thought that the movie adaptation of "Mother Night" was pretty darn good! Based on your recommendation, I'll give the S-5 movie a look." Read more
by Mohamed Mughal on When Movies are Better than Books

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Unpublished Guy Blogs
Posted by: Unpublished Guy on 7/31/2010 | 0 Comments


The Tragic Story of Silas the Monk

Posted by: Unpublished Guy on 7/17/2010 | 0 Comments


Do you think that the common plots are Comedy and Tragedy?
Think again.

Posted by: Unpublished Guy on 7/4/2009 | 2 Comments

The fourth of July and four days into July Novel Writing Month. Four days of staring at a blank page wondering what font I should be using to write my novel. I settled on Verdana. I prefer sans serif, but it's not as overused as Arial.

Now that I have font selection settled, I have to figure out what the novel should be about. I suppose I could brainstorm, but I've decided to dredge up one of my older short stories and repurpose it as a novel length story. The particular story I had in mind was originally intended to be a multi-layered tome of symbolism like Moby Dick, except the source of my ambition was the epic poem, Jerusalem, by William Blake.

Posted by: Unpublished Guy on 1/25/2009 | 0 Comments

The Italo Calvino novel, If on a winter’s night a traveler, opened me up to a completely different type of story-telling. First, the story is written in the second person point of view. You know the second person, that point of view you are warned not even to try, because it is nearly impossible to make it work, but every writer at some point tries anyway. Well, Calvino pulls it off. How?

The knock against second person is that the writer doesn’t know anything about the reader, so how can the writer pretend to know how the reader would think or feel any of things that the writer assigns to the second person character. In this case the bridge is made by identifying with the reader as a reader and nothing else, simply someone who is beginning to read a Italo Calvino’s book, If on a winter’s night a traveler.

 


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